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Featuring exceptional performances from guitarist Andre Madatian, vocalist Jonny Bisaha, drummer Philip Martin, and Morse himself, who takes on a prominent bass role throughout the album, River of Light captures a band pushing its creative boundaries while remaining true to the spirit of classic progressive rock. 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The tracklist connects several generations of artists, including Prince Alla, King Kong, Norrisman, Micah Shemaiah, Jah Mason, Anthony B, King Lorenzo, Chezidek, Lutan Fyah, Midnight Riders, Junior Dread and Linval Thompson \u0026amp; Big Red.Several tracks had already started building strong momentum ahead of the compilation release, including Chezidek's Down Down Down, Micah Shemaiah's Hell A Go Pop and Jah Mason's Puff Puff Puff, while a number of new cuts complete the 2026 edition.The vinyl edition features 12 carefully selected vocal cuts. The CD and digital versions extend the experience with 7 additional dub versions, continuing the Jamaican tradition of vocal \u0026amp; version.With close to 700 productions released over more than twenty years, Irie Ites Records continues to connect reggae's foundations with today's international scene. 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Crawling back from the grave once again, CARNAL SAVAGERY return with their most sickening offering yet, \"Sickening Acts of Barbarity\"! Following the devastating \"Crypt of Decay\", the band's eighth full-length delivers 10 new slabs of rotten, riff-driven Swedish Death Metal, continuing their trademark fusion of chainsaw HM-2 guitar tone, crushing old-school U. S. Death Metal brutality, filthy groove and grisly atmosphere. From the opening assault of \"Her Rotten Flesh\", through the savage \"Hack and Maim,\" the bone-crushing \"Boneyard\" and the putrid \"Body Bag,\" this is CARNAL SAVAGERY at their most vicious, putrid and uncompromising.  \"Sickening Acts of Barbarity\" is packed with savage riffs, guttural vocals, pounding drums and enough blood-soaked atmosphere to satisfy even the most hardened Death Metal maniac. Across all 10 tracks, CARNAL SAVAGERY deliver another relentless dose of corpse-crushing carnage, combining infectious Swedish riffing with the gnashing brutality and sinister atmosphere that have become hallmarks of their sound.  Old-school Swedish Death Metal in it's purest, foulest form, \"Sickening Acts of Barbarity\" is deadly, catchy, crushing and dripping with decay. CARNAL SAVAGERY once again prove why they remain one of the most relentlessly prolific forces carrying the classic Swedish Death Metal tradition into the modern era!Prepare yourself for the most savage chapter yet in the CARNAL SAVAGERY legacy - pure Swedish Death Metal carnage unleashed!!!PRESS (from \"Crypt of Decay\"):\"An absolute masterpiece!\" 15\/15 -Legacy Magazine\"The best Swedish Death Metal album in the last 25 years\" -TranscendingTheMundane. Com\"Simply one of the best death metal pieces ever to come out of the Swedish lands!\" -Metalhead. #it\"Death riff masters! This is the CS album that I like the most!\" -Dan Swano\"A great release of old school death metal that is powerful and memorable. \" -Wintertormentwebzine\"This is just amazing\" 9\/10 -MetalBite. Com\"Magnificent Swedish Old School Death Metal\" 9\/10 -Metal-temple. Com\"A knack for great riffs and successful songwriting. \" -Time-for-metal. #eu\"If you're a fan of old school Swedish death metal, you'll enjoy this!\" -Metal-digest. Com\"Carnal Savagery is on top of their game\" -Deadrhetoric. Com\"A skillful revitalization of old school Swedish death, highly recommended!\" -Musiquemachine. Com\"Old school death metal thuggery, saturated in melody and entrenched in guttural groove. \" -Avenoctum. 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This newly remastered, high-fidelity double LP pressing is out November 27th via Poison City \u0026amp; Run For Cover, with Side D featuring 3 bonus covers by long time friends of the band ANGIE McMAHON, JEFF ROSENSTOCK and BREN LUKENS \u0026amp; MOONMEN (Modern Baseball, Thin Lips). Founded in Melbourne over DIY home tattoos, CAMP COPE - Georgia Maq (songwriter, vocals, piano, guitar), Kelly-Dawn Hellmrich (lead bass guitar) and Sarah 'Thomo' Thompson (drums) - were an unstoppable force during their decade as a band. Since disbanding in 2025, the trio have left behind a powerful legacy of change in the music industry; calling for more equitable representation in all aspects of the entertainment industry \u0026amp; continuing support of live music spaces that are safe from harassment and abuse for staff, fans and musicians at all levels of international touring. Camp Cope's critically-acclaimed second album album How to Socialise \u0026amp; Make Friends (2018) received incredible international acclaim including from NPR (\"Every unpolished moment stuns with turn-of-age earnestness\"), The New Yorker (\"The words, as raw as the band's nervy energy, spill out as though she's been holding them in forever\") and The Guardian (\"In 20 years, young women especially will approach her and thank Camp Cope for encouraging them to pick up a guitar and tell their own stories\"). 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At the same time, mastermind Dylan Neal is once again exploring thrilling new dimensions of his unique sound. Even though this release is crammed with diabolic complexities, layers of details, and full of surprising twists, the fifth album from the Los Angeles-based electronic experimentalists is remarkably accessible and offers a deceptively straightforward listening experience on it's sonic surface. Thief have put their focus on creating amazing songs. This does not mean easy listening and the sweet stickiness of pop-infused bubbles. \"Sermons from the Pit\" is easily Thief's darkest and most emotionally charged work of art so far. Shaped by a difficult period of personal trouble and sorrow for Dylan Neal, this album revolves around themes of collapse, belief, suffering, identity, violence, and renewal. \"Sermons from the Pit\" expands electronic sound with a heavy blown-out production, trip-hop atmosphere, jungle drum'n'bass patterns, industrial textures, glitched choir samples, and at times what Dylan Neal likes to call a 'deconstructed black metal undercurrent'. He again used \"cathedral clipping\" as a key production element, i.e. extreme distortion, clipping, reverb, feedback, and mangled synth-choir sounds that create a cavernous, sacred, yet damaged atmosphere. With \"Sermons from the Pit\", Thief take their audience on a downward journey into the pit of intense emotional pain, which turns out to be full of unexpected beauty and sonic wonders. And at the end of this musical darkness lies a promise of hopeful release. Track list: 01. Violent Bloom 02. Moon and Kill 03. Axe Swung Ritual 04. 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This skillful group includes a Grammy-winning guitarist (Jamie Kime), nominated bassist (Jimmy Earl, formerly of The Tonight Show), a renowned keyboardist (Mitchel Forman) and one of the world's greatest rock drummers (Tool's Danny Carey). Over a decade of playing, they developed a nearly-telepathic chemistry, blending their unique instrumental voices to create a forceful yet refined sound reminiscent of '70s powerhouses Jeff Beck, Mahavishnu Orchestra, and Billy Cobham. Now Impex Records presents The Doug Webb Group playing the best of their show material recorded live in studio and available in two formats: a six song 180-gram LP and an expanded nine track compact disc. In a rare audiophile upgrade, the LP's tracks were remixed to analog tape by Roy Hendrickson (Saturday Night in San Francisco) and mastered by Chris Bellman at Bernie Grundman mastering. The CD's three bonus tracks retain the original digital mixes. 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The tracklist connects several generations of artists, including Prince Alla, King Kong, Norrisman, Micah Shemaiah, Jah Mason, Anthony B, King Lorenzo, Chezidek, Lutan Fyah, Midnight Riders, Junior Dread and Linval Thompson \u0026amp; Big Red.Several tracks had already started building strong momentum ahead of the compilation release, including Chezidek's Down Down Down, Micah Shemaiah's Hell A Go Pop and Jah Mason's Puff Puff Puff, while a number of new cuts complete the 2026 edition.The vinyl edition features 12 carefully selected vocal cuts. The CD and digital versions extend the experience with 7 additional dub versions, continuing the Jamaican tradition of vocal \u0026amp; version.With close to 700 productions released over more than twenty years, Irie Ites Records continues to connect reggae's foundations with today's international scene. 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At the same time, mastermind Dylan Neal is once again exploring thrilling new dimensions of his unique sound. Even though this release is crammed with diabolic complexities, layers of details, and full of surprising twists, the fifth album from the Los Angeles-based electronic experimentalists is remarkably accessible and offers a deceptively straightforward listening experience on it's sonic surface. Thief have put their focus on creating amazing songs. This does not mean easy listening and the sweet stickiness of pop-infused bubbles. \"Sermons from the Pit\" is easily Thief's darkest and most emotionally charged work of art so far. Shaped by a difficult period of personal trouble and sorrow for Dylan Neal, this album revolves around themes of collapse, belief, suffering, identity, violence, and renewal. \"Sermons from the Pit\" expands electronic sound with a heavy blown-out production, trip-hop atmosphere, jungle drum'n'bass patterns, industrial textures, glitched choir samples, and at times what Dylan Neal likes to call a 'deconstructed black metal undercurrent'. He again used \"cathedral clipping\" as a key production element, i.e. extreme distortion, clipping, reverb, feedback, and mangled synth-choir sounds that create a cavernous, sacred, yet damaged atmosphere. With \"Sermons from the Pit\", Thief take their audience on a downward journey into the pit of intense emotional pain, which turns out to be full of unexpected beauty and sonic wonders. And at the end of this musical darkness lies a promise of hopeful release. Track list: 01. Violent Bloom 02. Moon and Kill 03. Axe Swung Ritual 04. 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