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Recorded in 2009 by Skot Brown (The Phantom Limbs, Altar de Fey) and previously released on 50 handmade CD-Rs, Gunslinger is a raucous slab of The Holy Kiss' finest hour, featuring four songs that mix incendiary blues with blood, sweat, and a heavy dose of The Birthday Party. The title track of the 12\", \"Gunslinger,\" is a cover of a Bo Diddley song arranged by the band to suit their desire for melodic cacophony. Frontman Matty Rue Morgue sings from the soul in dark sunglasses, while \"drummer Nick Ott [looms] like a giant over an elfin drum kit while assaulting the skins feverishly enough to risk spontaneous combustion\" (Tatiana Simonian, L.A. Weekly). Officially formed in 2000, the dark humored, old-fashioned, and well-tailored quartet, \"makes a dark and sweetly discordant murder ballad inspired racket that's perfect for conjuring the limbo-treading spirits of the cheats, crazies, drunks and other societal castaways the band likes to sing about in it's shadowy, Dickensian ditties\" (Bill Picture, San Francisco Chronicle).The Gunslinger release also contains a bonus 7\" of solo recordings made by Matty Rue Morgue in 2009, just a few years before his untimely death in 2015. There are two songs written by Matty and one song by The Holy Kiss (\"Go Head N Count 'Em\") re-arranged for solo acoustic guitar. 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So, why did it take so long to put together a collection of their complete, original Dunhill\/ABC hit singles? Well, there's the little matter of the original mono master tapes. There are various stories about what happened, including one with Dunhill head Jay Lasker pitching all the label's multi-track recordings and mono masters after having deemed them obsolete. And so the classic hit singles by the Grass Roots for the most part only surfaced in their stereo album versions on the various anthologies of the band. But when the going gets tough for a reissue label, Real Gone Music gets going. After a worldwide search for the best sources available, we rounded up all two dozen Dunhill\/ABC hit singles (including the censored and uncensored versions of \"Let's Live for Today\" and their biggest smash, \"Midnight Confessions\") and put them together into one AMAZING-sounding package that we released back in 2014! Indeed, this collection offers the truest essence of the band-those hook-filled singles in that glorious, original mono sound mixed and mastered to punch through '60s and '70s AM radio. And, by covering the years 1965 to 1973, The Grass Roots: The Complete Original Dunhill\/ABC Hit Singles also provides a fantastic overview of the group's tangled history and many line-ups-all meticulously explained by Ed Osborne's liner notes-with late lead singer Rob Grill the closest to a career-long member (their first two singles featured Bill Fulton on vocals). Now, we're thrilled to announce that not only have we resurrected this highly-prized and long out-of-print retrospective on CD, but we are also releasing it on vinyl for the first time, in a blockbuster double-LP set pressed on grass green vinyl and housed inside a gatefold jacket! 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But, as these things often do, the discussions never came to fruition, and we moved on, but we remained convinced that Mose was definitely an artist best experienced live (as his widow Audre quipped to us at the time, \"He always thought that going to a recording studio to record was like having a business card printed\"). Well, earlier this year we were contacted by Mose's daughter Amy and the co-producer of this set, Pat Thomas, with a new tape that had surfaced, a 17-track, 70-minute recording of a July 12, 1970 show at the Marin County club The Lion's Share that absolutely BLEW AWAY our earlier, 1966 candidate for release, both with respect to fidelity and performance. In fact, this just might be the definite live Mose Allison document. First of all, the set captures Mose with his preferred Bay Area rhythm section of Clyde Flowers on bass and Lee Charlton (who recorded the show) on drums, the same team that appeared on 1972's live classic Mose in Your Ear. But what sets this record apart is that Mose never thought this date would be released as a live recording. As a result, you're getting Mose at his freest, spryest, and slyest, displaying that impossibly effortless combination of wildly inventive piano riffing, brilliantly sophisticated songwriting (featuring such favorites as \"Wild Man on the Loose\" and \"You Can Count on Me to Do My Part\"), and offhand, nonchalant swagger that only he could pull off. As Skip Heller (who saw Mose play about 75 times) puts it in his liner notes, \"This is Mose Allison, exactly the way most of us remember.\" For this very special release, we've commissioned three sets of liner notes, one a fond remembrance from Amy Allison (complete with pictures from the family archives), and one by Pat Thomas offering a rock and roller's perspective on the Allison legacy to go along with Skip's notes. The entire set's been remastered by Mike Milchner at Sonic Vision, and the album art is drawn from a period concert poster. Available on a double-LP inside a gatefold jacket, or on CD. 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And the 1956 debut album by The Kossoy Sisters (identical twins Irene and Ellen) is a foundational album in the genre's canon. Recorded in 1956 by famed Folkways engineer Mel Kaiser for the Tradition label run by Paddy Clancy of Clancy Brothers fame, Bowling Green and Other Folk Songs from the Southern Mountains set the close harmony singing of the sisters to instrumental accompaniment by legendary folkie Erik Darling (Weavers, Rooftop Singers). The effect was devastating and the album's legacy lasting; despite the Sisters' splitting up to raise their own families, demand for their music remained constant through the decades, resulting in various reunions, additional recordings both together and separate, and culminating in the Coen Brothers' prominently placing their recording of \"I'll Fly Away\" in the Grammy Award-winning soundtrack to their 2000 film O Brother, Where Art Thou? But this is the first reissue of the record on LP, and it comes on the 70th anniversary of it's release; we've remastered it for vinyl and pressed it in pink to match the album cover. 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