{"title":"New This Week: November 16-22","description":null,"products":[{"product_id":"stornoway-beyonder-random-solid-colour-eco-vinyl-colored-vinyl-pre-order","title":"Stornoway - Beyonder - Random Solid Colour Eco Vinyl [Colored Vinyl] (PRE-ORDER)","description":"\u003cp\u003eFresh from selling out London's Royal Albert Hall, Stornoway return with Beyonder - their most ambitious album to date. Out 25 September via Cooking Vinyl, the record expands the band's sound while holding onto the melodic warmth and sense of wonder that has long defined their music.The album began in one of the most remote corners of the UK. While volunteering as a National Trust ranger on St Kilda, 100 kilometres west of the Outer Hebrides, frontman Brian Briggs spent weeks living among the island's towering sea cliffs, seabird colonies and abandoned settlements. The experience - standing on the edge of the Atlantic with nothing between the island and Canada - sparked the first songs that would become Beyonder. A photograph taken there now forms the album cover.\"Never have I been anywhere so wild and exposed, and never have I felt more alive,\" Briggs says of the experience. The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. 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The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. The songs feel broader in scale, with expansive arrangements that still centre on the band's distinctive harmonies and clear melodic writing. 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Yet the full extent of their artistic relationship is only now coming into focus, thanks to documents preserved in the musicians' joint archive. Foremost among these disclosures are Loriod's own compositional manuscripts: some dozen works she composed between 1943 and 1951, rarely performed and never published during her lifetime, a staggeringly original Å“uvre that sheds light on the earliest years of her and Messiaen's partnership and the intimacy of their collaboration. Roger Muraro - who joined Yvonne Loriod's class at the Paris Conservatoire at the age of 17, met Olivier Messiaen and very early on established himself as one of his leading interpreters - and Florent Boffard present the world premiere recording of three pieces by Loriod, as well as Messiaen's famous Visions de l'Amen, which Muraro had not yet recorded.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3701624512739\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Alpha\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Alpha","offers":[{"title":"Default Title","offer_id":48303983100134,"sku":"3701624512739","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2379\/6949\/files\/4537557-3701333.jpg?v=1788894720"},{"product_id":"karol-g-no-me-arrepiento-de-sentir-tanto-clearwater-blue-pre-order","title":"Karol G - NO ME ARREPIENTO DE SENTIR TANTO [Clearwater Blue] (PRE-ORDER)","description":"\u003cp\u003eKAROL G’s NO ME ARREPIENTO DE SENTIR TANTO is a deeply personal album inspired by the music that shaped her and the emotions that connect us all. 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I Musicanti and it's founding artistic director, internationally renowned double bass virtuoso and conductor Leon Bosch, share with SOMM a commitment to artistic enterprise. Their collaboration, combining advocacy, scholarship, and performance at the highest level, has built a distinctive and critically acclaimed discography. Hodgson's 2025 SOMM debut featured his first Piano Quintet performed by I Musicanti and Peter Donohoe on a release of British Piano Quintets [SOMMCD 0707]. This new release features three of his chamber works: his String Quintet No. 1, 'Sonata da chiesa;' String Quintet No. 2, 'Twinkle, Twinkle Little Star;' and String Septet No. 1, 'The Women of Gairsay.' Although Hodgson has composed a great variety of music in all genres, it is perhaps chamber music that lies closest to his heart, and the three significant works on this release are indicative of his inherent mastery of the genre. His proficiency is fully demonstrated in his earliest composition, the String Quintet No.1, 'Sonata da chiesa,' which takes it's name from the musical form that emerged in Italy at the beginning of the 17th century. Hodgson's sonata is in three movements: 'Come una chiesa' (Like a Church); 'Processione;' and 'Pregare' (To Pray). The composer displays his structural and expressive command in music that finds depth in what might at first appear to be quite simple material. Whilst Hodgson's String Quintet No.1 was his first completed composition, his String Quintet No. 2, 'Twinkle, Twinkle Little Star,' is his most recent. It was inspired by a Dark Sky experience in New Zealand that sparked an idea for a piece that would portray the continual shifting of light and distances involved in travelling through space. Each movement reflects on the beloved nursery rhyme: 1: 'Twinkle, twinkle, little star, how I wonder what you are;' 2: 'Up above the world so high, like a diamond in the sky;' and 3: 'Twinkle, twinkle, little star, though I know not what you are.'The poem 'The Women of Gairsay,' written for Hodgson by the Scottish journalist and writer Erlend Clouston, weaves together themes of Viking journeys, the resilience of the women left behind, and the interplay of hope and loss, with the sea ever present. 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Recorded in 2009 by Skot Brown (The Phantom Limbs, Altar de Fey) and previously released on 50 handmade CD-Rs, Gunslinger is a raucous slab of The Holy Kiss' finest hour, featuring four songs that mix incendiary blues with blood, sweat, and a heavy dose of The Birthday Party. The title track of the 12\", \"Gunslinger,\" is a cover of a Bo Diddley song arranged by the band to suit their desire for melodic cacophony. Frontman Matty Rue Morgue sings from the soul in dark sunglasses, while \"drummer Nick Ott [looms] like a giant over an elfin drum kit while assaulting the skins feverishly enough to risk spontaneous combustion\" (Tatiana Simonian, L.A. Weekly). Officially formed in 2000, the dark humored, old-fashioned, and well-tailored quartet, \"makes a dark and sweetly discordant murder ballad inspired racket that's perfect for conjuring the limbo-treading spirits of the cheats, crazies, drunks and other societal castaways the band likes to sing about in it's shadowy, Dickensian ditties\" (Bill Picture, San Francisco Chronicle).The Gunslinger release also contains a bonus 7\" of solo recordings made by Matty Rue Morgue in 2009, just a few years before his untimely death in 2015. There are two songs written by Matty and one song by The Holy Kiss (\"Go Head N Count 'Em\") re-arranged for solo acoustic guitar. 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So, why did it take so long to put together a collection of their complete, original Dunhill\/ABC hit singles? Well, there's the little matter of the original mono master tapes. There are various stories about what happened, including one with Dunhill head Jay Lasker pitching all the label's multi-track recordings and mono masters after having deemed them obsolete. And so the classic hit singles by the Grass Roots for the most part only surfaced in their stereo album versions on the various anthologies of the band. But when the going gets tough for a reissue label, Real Gone Music gets going. After a worldwide search for the best sources available, we rounded up all two dozen Dunhill\/ABC hit singles (including the censored and uncensored versions of \"Let's Live for Today\" and their biggest smash, \"Midnight Confessions\") and put them together into one AMAZING-sounding package that we released back in 2014! Indeed, this collection offers the truest essence of the band-those hook-filled singles in that glorious, original mono sound mixed and mastered to punch through '60s and '70s AM radio. And, by covering the years 1965 to 1973, The Grass Roots: The Complete Original Dunhill\/ABC Hit Singles also provides a fantastic overview of the group's tangled history and many line-ups-all meticulously explained by Ed Osborne's liner notes-with late lead singer Rob Grill the closest to a career-long member (their first two singles featured Bill Fulton on vocals). Now, we're thrilled to announce that not only have we resurrected this highly-prized and long out-of-print retrospective on CD, but we are also releasing it on vinyl for the first time, in a blockbuster double-LP set pressed on grass green vinyl and housed inside a gatefold jacket! 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But, as these things often do, the discussions never came to fruition, and we moved on, but we remained convinced that Mose was definitely an artist best experienced live (as his widow Audre quipped to us at the time, \"He always thought that going to a recording studio to record was like having a business card printed\"). Well, earlier this year we were contacted by Mose's daughter Amy and the co-producer of this set, Pat Thomas, with a new tape that had surfaced, a 17-track, 70-minute recording of a July 12, 1970 show at the Marin County club The Lion's Share that absolutely BLEW AWAY our earlier, 1966 candidate for release, both with respect to fidelity and performance. In fact, this just might be the definite live Mose Allison document. First of all, the set captures Mose with his preferred Bay Area rhythm section of Clyde Flowers on bass and Lee Charlton (who recorded the show) on drums, the same team that appeared on 1972's live classic Mose in Your Ear. But what sets this record apart is that Mose never thought this date would be released as a live recording. As a result, you're getting Mose at his freest, spryest, and slyest, displaying that impossibly effortless combination of wildly inventive piano riffing, brilliantly sophisticated songwriting (featuring such favorites as \"Wild Man on the Loose\" and \"You Can Count on Me to Do My Part\"), and offhand, nonchalant swagger that only he could pull off. As Skip Heller (who saw Mose play about 75 times) puts it in his liner notes, \"This is Mose Allison, exactly the way most of us remember.\" For this very special release, we've commissioned three sets of liner notes, one a fond remembrance from Amy Allison (complete with pictures from the family archives), and one by Pat Thomas offering a rock and roller's perspective on the Allison legacy to go along with Skip's notes. The entire set's been remastered by Mike Milchner at Sonic Vision, and the album art is drawn from a period concert poster. Available on a double-LP inside a gatefold jacket, or on CD. 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And the 1956 debut album by The Kossoy Sisters (identical twins Irene and Ellen) is a foundational album in the genre's canon. Recorded in 1956 by famed Folkways engineer Mel Kaiser for the Tradition label run by Paddy Clancy of Clancy Brothers fame, Bowling Green and Other Folk Songs from the Southern Mountains set the close harmony singing of the sisters to instrumental accompaniment by legendary folkie Erik Darling (Weavers, Rooftop Singers). The effect was devastating and the album's legacy lasting; despite the Sisters' splitting up to raise their own families, demand for their music remained constant through the decades, resulting in various reunions, additional recordings both together and separate, and culminating in the Coen Brothers' prominently placing their recording of \"I'll Fly Away\" in the Grammy Award-winning soundtrack to their 2000 film O Brother, Where Art Thou? But this is the first reissue of the record on LP, and it comes on the 70th anniversary of it's release; we've remastered it for vinyl and pressed it in pink to match the album cover. 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Songs were written and tracked in the order they appear, effects were committed to tape, and each bounced-down instrument narrowed the path ahead. Every decision carried weight; raw instinct became part of the final form.Musically, \"Aion's Light\" stands somewhere between 70s folk songcraft, underground black metal spirit, and the eerie atmospheres of B-movie horror soundtracks. Echoes of Scott Walker, Of the Wand and the Moon, Woven Hand, Swans, Dave Bixby, Exuma, Leonard Cohen, and Storm can be felt throughout. 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Susana Sainz, Ian Howe, Amy Kay, and AJ McClary split the difference between the cold romanticism of early-80s Spanish underground electronic music (Aviador Dro, Décima Víctima, Esplendor Geométrico) and the bright-edged urgency of femme-fronted American new wave (The Go-Go's, Chin-Chin, Missing Persons). The album writes through migration without sounding like a migration record: memories of Spain bleeding into the strange glow of an American dream that won't quite finish loading. Engineered and mixed by Evan Mersky at Red Lantern Studios in Portland; mastered by Sasha Stroud. Cover paintings by Matt Cosby. 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